(C) The Miami Street Photography Festival 2018

BRUCE GILDEN

Street Photography Workshop

Los Angeles,CA USA

FEBRUARY 18-22, 2019

                                           BE YOURSELF

                       A 5-day Photography Workshop with Bruce Gilden

 

BRUCE GILDEN brings to his master class his unique style of street photography which has truly become his own over the past 40 years of working in New York City and other urban areas, both in the US and abroad. He will work with the students to teach them how to improve their pictures shot in the streets by best identifying their working “style” for street photography, and define their personal vision.

 Gilden will share his own experience in the street to aid the students in gaining “street smart” sensibilities. These principles are necessary to work in any environment and to be in the middle of the scenario without being obtrusive.

In addition to his master class, Bruce Gilden will also give a presentation on his 40-year body of street work.

" I want to help you MAKE photographs, not TAKE photographs!

 -Bruce Gilden

 

PRE_CLASS ASSIGNMENT :               

 Shoot either 50 digital images or 2 rolls of film in an area or a situation where you are  “comfortable” working in, AND 50 digital images (or 2 rolls of film) somewhere else where you are “not comfortable” working in.

Please present no more than 5 images.

 

FIRST DAY OF CLASS

In addition to the pre-class assignment, bring no more than 20 of your best photos, ones that are indicative of your style (they do NOT have to be “street” photographs). After Bruce reviews their portfolios, each student will be given a personal assignment related to their strengths or weaknesses.

 

EVERYDAY: Bruce personally reviews the work and then everybody goes out to shoot on their own. Class starts at 9 on every day of class and should finish by 1:30 - 2 pm the latest.   And then the students are expected to go out and start their assignments. Times may vary depending on assignments and flow of the class

 

LAST DAY OF CLASS

From the recently-completed assignments, each participant will have produced an essay that Bruce will help in putting together.

 

 

 

TUITION: $1,750

LIMITED TO 12 STUDENTS

LOCATION:

REGISTER: A $500 deposit is required to save your spot for this workshop.

Full remaining balance is due by August 4th, 2018.

Cancellations: If cancelled more than 60 days in advance: we will refund the full deposit , 59-45 days: refund minus a $175 fee and if 45 days  or less: no refund unless we fill the spot with another student.

For more info contact Juan Reyes at jjreyes@miamistreetphotographyfestival.org

 

 

 

 

 

 

 

 

Born in 1946, Bruce Gilden and his photography are inextricably linked. Hours as a child looking at tough guys on the bustling streets of Brooklyn from his second-story window shaped Gilden’s attraction to his photographic subjects, which he fondly refers to as “characters”.

After studying sociology at Penn State University, Gilden felt drawn to photography as a lifestyle after seeing Michelangelo Antonioni’s classic 1966 film Blow Up and he decided that he, too, would become a photographer.

Between trips abroad, Bruce Gilden always went back to his lifetime project, the streets of New York City, where he started photographing in 1981. Gilden’s powerful New York work has brought him worldwide fame: his confrontational, graphic style and his use of flash have rendered his black and white images immediately recognisable. His work on the streets of New York culminated in the publication of Facing New York in 1992, and later in 2005 in his retrospective book A Beautiful Catastrophe.

After years spent traveling around the world on commissions and personal projects in India where he photographed holy gatherings, gypsies in Portugal and Romania and “bad guys” in Russia and Australia, in 2008 Bruce Gilden went back to photograph in his own country. At the time of the American historical pre-election. Gilden captured the sorrow of Americans affected by foreclosures and the melancholy of abandoned homes. His work in Florida became the first segment of “No Place Like Home” a project that would lead him between 2009 and 2011 to Detroit, Michigan; Fresno, California and Reno-Las Vegas, Nevada. The book Foreclosures was published in 2013.

Upon returning from Europe where he had been photographing the streets in London, Gilden felt the need for a change: as he was participating in the Magnum collective project “Postcards From America” in Rochester, New York, Gilden experimented digital color photography and took the change even further, adopting a new style: close up portraits of people’s faces in color. This recent work has been published in the book Face.

In 2015, Gilden returned to candid photography in black and white to photograph in the streets of New York, Paris, Manchester, Hong Kong and Johannesburg on a commission for RATP the Parisian transportation system.

Bruce Gilden’s work has been exhibited widely around the world and is part of many permanent collections such as MOMA, New York, Victoria & Albert Museum, London and the Tokyo Metropolitan Museum of Photography.

Already the recipient of numerous grants and awards (among them three National Endowment for the Arts and a Japan Foundation Fellowship) in 2013, Bruce Gilden became the recipient of a Guggenheim Fellowship.

Bruce Gilden joined Magnum Photos in 1998.